The colour reproductions presented here reveal the extraordinary range and diversity in subject-matter and style of these illustrations. For the historian of medicine, however, these ordinary manuscripts are just as interesting as the select few because they tell so much of what it must have been like to study and practise the healing arts in medieval times, as well as providing evidence of the changing role of the book in medicine. Some of the manuscripts illustrated are famous because of the quality of their design and splendour of illumination, but most medical illustration was not work of such refinement and consequently has been largely ignored by historians of art. (.) This beautifully produced book is a revised, colour-illustrated version of the long out-of-print Medieval Medical Miniatures first published by The British Library in 1984. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence." Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. "Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. and restrict your search to Catalog then Type: illuminated manuscripts and select the field: Subject. To find additional titles relating to Illuminated manuscripts in USC Libraries' online catalog, select: Advanced Search. Please note: The list of books on this page is a very small selection of titles at USC Libraries. Paul Getty Museum in association with the British Library, c1994.ĭecorations and Illumination (University of Nottingham) is a short overview of decorated and illuminated initials, borders, and miniatures. Understanding Illuminated Manuscripts: A guide to technical terms. See also: "Glossaries", British Library Catalogue of Illuminated Manuscripts, and, Brown, Michelle (Michelle P.). As a widespread phenomenon, illumination is most associated with medieval manuscripts, including the great monastic bibles and religious works, although illuminated manuscripts of various kinds, such as brightly coloured genealogies and chronicles, heightened with gold or silver, can still be found in the sixteenth and even seventeenth centuries. Illumination can take the form of richly coloured and decorated lettering, elaborate tracery in the text, margins, or borders, and other ornamental or pictorial features, or else, most especially, miniatures (see miniature). ( Excerpt): "Deriving from the Latin illuminare (‘to light up’), the term ‘illumination’ means the decoration of manuscripts with gold or silver and with other bright, luminous colours (as opposed to monochrome black ink, or shades of grey known as ‘grisaille’), the manuscript thus embellished being described as illuminated. A Dictionary of English Manuscript Terminology, 1450 to 2000, Oxford University Press, 2011: Illumination - Definition: See p.192 in: Beal, Peter.
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